The guild sets a floor, not a price
A WGA signatory cannot legally pay below the Schedule of Minimums. That floor is six figures for a theatrical feature — and the market median for the same work is two-and-a-half to four times it.
How much a movie script costs depends entirely on who is buying. A Writers Guild signatory has a legal floor in six figures; a freelance ghostwriter starts around $5,000; a 30-second commercial script is four figures. Here is each band with its source.
TarifsA WGA signatory cannot legally pay below the Schedule of Minimums. That floor is six figures for a theatrical feature — and the market median for the same work is two-and-a-half to four times it.
Freelance and ghostwriting rates run from about $5,000 for a feature to well past $50,000, set entirely by who you hire. Every published rate card in this band belongs to somebody selling the service.
The WGA sets no minimum for an original short-form or new-media script — compensation is fully negotiable. Only derivative new media has a floor, and it is measured in hundreds, not thousands.
These are the figures the WGA has actually published: the 2023 MBA Year 3 column, effective 2 May 2025 to 1 May 2026. The 2026 MBA was ratified on 24 April 2026 and raises minimums 1.5% from 2 May 2026, but the guild has not yet published a dollar schedule for it — so the derived column is arithmetic, not an official figure. The high/low budget line is drawn at $5,000,000.
| Category | High budget (published) | High (+1.5%, derived) | Low budget (published) |
|---|---|---|---|
| Original screenplay, including treatment | $170,655 | ~$173,215 | $90,904 |
| Original screenplay, excluding treatment | $125,023 | ~$126,898 | $61,064 |
| Non-original screenplay, incl. treatment | $147,920 | ~$150,139 | $79,542 |
| Original story or treatment | $68,205 | ~$69,228 | $41,188 |
| Rewrite | $45,470 | ~$46,152 | $29,826 |
| Polish | $22,736 | ~$23,077 | $14,924 |
| Page-one rewrite (new in 2026 MBA) | $57,500 | published figure | $31,500 |
The page-one rewrite is the one genuinely 2026 dollar figure published so far, and it only applies if the contract uses that term. Note also the guaranteed second step: hire a writer for a first draft at up to 200% of minimum and the company must also pay for a rewrite at no less than the rewrite minimum.
From the WGA's own Screen Compensation Guide (2025 edition), built on roughly 800 high-budget feature deals made under the 2023 MBA. These are employment deals rather than spec purchases — the guild does not publish spec-sale medians, and anyone quoting one is guessing.
| Deal type | Median, all companies | Median, major studios | Highest reported |
|---|---|---|---|
| One-step first draft | $450,000 | $500,000 | $2,250,000 |
| Multi-step first draft | $375,000 | $550,000 | $3,850,000 |
| One-step rewrite | $200,000 | $250,000 | $1,000,000 |
| First draft, writer with no credits | $300,000 | — | — |
| First draft, writer with 2+ credits | $600,000 | — | — |
The headline comparison: the median one-step first draft ($450,000) is roughly three and a half times the published minimum for an original screenplay excluding treatment ($125,023). The floor is a floor, not a going rate.
Everything in this band comes from vendors publishing their own rate cards, which is worth weighing — nobody neutral surveys screenwriting rates. The Editorial Freelancers Association ran the closest thing to a neutral survey over winter 2025-26 and has no screenwriting category at all.
| Item | Price | Typical turnaround |
|---|---|---|
| Feature ghostwriting, per page | from $60/page — about $7,200 for 120 pages | 3–6 months |
| Feature ghostwriting, milestone package | from $5,000, billed by draft | 1–6 months, rush costs more |
| Feature, mid-tier freelance | $7,000–$15,000 | 10–12 weeks to a first draft |
| 30 or 60-second commercial script | $1,000–$1,800 | days |
| Short online video script (1–5 min) | $500–$1,500+ | days |
| Explainer script, 30–90 seconds | from $500 flat | about a week |
| Script coverage, feature | $89–$185 standard, $349–$449 in depth | 5–14 days |
| One-hour consultancy call | $149–$299 | scheduled |
Rush pricing is real and steep — one ghostwriting service states plainly that rapid turnaround doubles the price. Note also that the coverage market consolidated hard in 2025: Coverfly, WeScreenplay and ScreenCraft coverage all shut down.
The reason this question is asked so often by people who then do not commission a script is that the script is rarely the expensive part. A high-budget feature that pays $450,000 for a first draft is paying that against a production budget north of $5,000,000 — the writing is single-digit percentage points of it.
At the other end, the same asymmetry bites harder. If you are making a short, a $5,000 ghostwritten script is a very large fraction of what you will spend, and the thing that decides whether it was worth it is whether you shoot it. Most commissioned short scripts are not shot.
Which is the honest case for drafting first and paying later. A script that exists, in rough form, tells you whether the idea holds — and if it does, that is a much better brief to hand a professional writer than a paragraph of intent.
Reelfo's story stage will write a premise, a beat structure and a script from a one-line brief, and it is text, so iterating on it costs almost nothing next to rendering. It is not a substitute for a writer at any of the price bands above and it would be dishonest to sell it as one. What it is good for is finding out, cheaply, whether the thing is worth commissioning — and then storyboarding and rendering it if it is.
Signing up puts 100 credits in your account, once, with no card. That is enough for the script, character and shot-list stages plus about one keyframe — it is a look at the pipeline, not a free finished reel.
Third-party prices and limits below were read off each vendor’s own page on the date shown. Vendors change plans without notice — if a number here disagrees with what you see, the vendor’s page wins and we want to hear about it.
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